The Mind of JOSEPH GOEBBELS, Master Propagandist

We have made the Reich by propaganda.
--JOSEPH GOEBBELS

“If you tell a lie big enough and keep repeating it, people will eventually come to believe it. The lie can be maintained only for such time as the State can shield the people from the political, economic and/or military consequences of the lie. It thus becomes vitally important for the State to use all of its powers to repress dissent, for the truth is the mortal enemy of the lie, and thus by extension, the truth is the greatest enemy of the State.”
--JOSEPH GOEBBELS

Joseph Goebbels Nazi propaganda minister

He controlled the minds of millions of Germans. It is doubtful whether Hitler's Third Reich could have lasted this long without Goebbels wizardry. When it comes to propaganda and mind-washing on a mass scale there will never be another one to surpass this little man who was an important cog in a juggernaut that was Nazi Germany.

Dr. Joseph Goebbels - one of the most prominent personalities of the twentieth century. Minister of Public Enlightenment and Propaganda of the Third Reich. Throughout the long twelve years of his ministry he was to decide what would appear on the front page headlines, what songs would be performed in a radio broadcast, which films would be released in cinemas and what would be the repertoire on the stage. Largely thanks to the Ministry of Propaganda  the Germans continued to fight on the Eastern Front until the end, even after the outcome of the war was obvious to everyone. Many Germans, who could not flee to the rear, committed suicide. And he, Goebbels and his wife too committed suicide by poisoning after killing their six children.
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“Think of the press as a great keyboard on which the government can play.”
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Goebbels  Goering in 1930
Goebbels with Goering in 1930
Future Reich Chancellor (albeit for a day) was born October 28, 1897 in a town in Rhineland called Reydt to a pious family bookkeeper. His father dreamed that the young Joseph become a Catholic priest, but his son wanted to become a writer and playwright. With the financial support of the Catholic "Society of Albert Magnus," he finished a course of humanities in almost all major German universities. In April 21, 1922 after defending his thesis "Wilhelm von Schutz as a playwright. On the History of the romantic school drama" Goebbels received his Ph.D. at Heidelberg University. World War One did not interrupt Goebbels' studies as he was found unfit for military service because of a birth defect - lameness (one leg shorter than the other). As a playwright, of which he dreamed of becoming, he was unsuccessful - he wrote the play "The Wanderer" ("Der Wanderer") but no one wanted to put it on stage. Goebbels did not succeed as a writer too- the novel "Michael", which told the plight of Germany, did not generate interest from publishers. The novel was completed in 1924, and he managed to publish it only five years later, when he was already a well-known politician, journalist, and a member of the Reichstag. Until 1924 Goebbels had to earn a living, working a modest bank clerk.
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“If the German people lay down their weapons, the Soviets, according to the agreement between Roosevelt, Churchill and Stalin, would occupy all of East and Southeast Europe along with the greater part of the Reich. An iron curtain would fall over this enormous territory controlled by the Soviet Union, behind which nations would be slaughtered.”
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Goebbels cartoon
For someone espousing the superior Aryan race, Goebbels himself  hardly fitted the ideal model. (H. Dobhenysk, A Pure-Blooded Aryan, Chicago Daily News (1937)
In 1923, after the Beer Hall Putsch (November 9, 1923) - attempt to seize power in Bavaria, the whole of Germany learned of the existence of the National Socialist German Workers' Party, led by Adolf Hitler. Hitler used the ensuing trial to tell the whole country about himself, his party and his views. And Goebbels decided that this party (officially banned after the trial) suited him. By 1924 the Department of the NSDAP came to his hometown and he did not hesitate to join the party (party ticket number 8762).
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Recounting his day in a diary entry:] Goebbels wrote "At table the Führer made another strong plea for vegetarianism. I consider his views correct. Meat-eating is a perversion of our human nature. When we reach a higher level of civilization, we shall doubtlessly overcome it."
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Hitler  Goebbels film studio 1935
Hitler and Goebbels at a film studio in 1935
The Nazi Party at the time had a strong left wing - part of the Nazis led by Gregor Strasser perceived the word "socialist"  too seriously in the name of the Nazi Party. The radical socialist and  frustrated writer and playwright joined this wing. Strasser entrusted the editorial post in his newspaper "HC-Brief."to this young man  Meanwhile, in December 1924, after spending a year of his prison term  Adolf Hitler came out to freedom. Towards Socialism his attitude was more than cool and disputes broke out between his supporters and followers of Strasser. In the course of this debate radically minded Goebbels came to exclude "bourgeois Hitler" from party ranks. But in 1926, after a personal meeting with Hitler, Goebbels unconditionally moved to his side. The tone of  his articles  changed dramatically - his articles turned into odes of praise to the leader. And Hitler appreciated the flow of praise - in October of 1926 he appointed his new admirer Gauleiter (head of the party cell) of Berlin. It is difficult to say whether Goebbels was pleased with the honor - Berlin with its vast working-class district was traditionally a "red" city. The NSDAP Party branch in the capital consisted of only a thousand people and nearly all of them were supporters of Strasser. The party budget consisted of only debts. Goebbels did a  strong purge of party ranks and expelled nearly a thousand people from the party . But due to the number of new supporters of the Nazis in Berlin the party was growing steadily. Goebbels organized rallies and the fight against the communists. Later on this period of his political career, he wrote a book "The Struggle for Berlin" (Kampf um Berlin, 1934).
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"I have noticed a slight element of cynicism creeping into our reporting of the war. ... I put a stop to this. ... Our style for this war must be hard, manly, unsentimental, sober, but without smart Alec cleverness. Sarcasm can only harm things."
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Goebbels  Mussolini 1937
Goebbels gives a speech during a visit by Mussolini in 1937
The growing popularity of the Nazis and their leader in Berlin alarmed the powers in Berlin. On May 5, 1927 the Nazi Party and the SA troops in Berlin were banned, and Goebbels was forbidden to make any public appearance in the city. However, the ban did not prevent Goebbels from engaging in publishing - he produced the weekly "Angriff." He raised a protest campaign in the press which led to the resignation of the chief of criminal police of the Berlin, a Jew called Weiss. Also in 1927 a  Sturmfuhrer (captain) of the SA, a novice poet named Horst Wessel put to tune an old German song «Der Abenteurer» («The Adventurer"). His words were about  invisible fallen heroes. The result was a cheerful marching song  which attacked the  Communists.  Maybe this song would have remained a local Berlin hit, which no one would have remembered now, but because of Goebbels at least the name of the song is known around the world. In 1930, the author himself joins "serried ranks of the fallen heroes," being shot by a communist. Goebbels turned Horst Wessel into a symbol of struggle and martyrdom, and the song became the official anthem of the party (after January 30, 1933. It also became part of the state Anthem, which consisted of two parts - one verse of "German Song", followed by the first verse of "Horst Wessel"). In 1932, Goebbels used the same propaganda tool at the death of Herbert Norkus, a teenager of the Hitler Youth. Immediately after the Nazis came to power in the summer of 1933, UFA Cinema promptly released two films devoted to these heroes - "Hans Westmar - one of many" and "Hitlerjunge Quex."


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"[I] tone down the grotesque exaggerations - 'London a sea of flames', etc. - which ... can only harm us in the future. We must not arouse hopes if they cannot be fulfilled immediately."
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Joseph  Magda Goebbels children
Joseph and Magda Goebbels with their children. All of them were given cyanide on May 1, 1945
But back to "fight for Berlin." The ban on the Nazi party did not last a year; On May 31, 1928 it was removed. And it April 20, 1928, Goebbels entered the Reichstag from the city of Berlin. On January 9, 1929 to the office of Berlin Gauleiter Goebbels added post of imperial head of propaganda (Reichspropagandaleiter) in his resume. One of the "achievements" of Goebbels in office, if it can be called that, in December 1930, he put a the German ban on the famous novel by Erich Remarque "On the Western Front."


In 1932, he persuaded Hitler to stand for election for Reich President. Hitler initially refused. And besides, he was not able to stand for the any election - he did not have German citizenship.  After the "Beer Hall Putsch" in fear of deportation to his home country, he had refused Austrian citizenship and German authorities were in no hurry to provide him with citizenship. But February 25, 1932 the Minister of the Interior appointed Hitler Braunschweig attache in Berlin office of the land, and the assignment of such a position meant automatic granting of German citizenship. Goebbels managed the presidential campaign of Hitler and Hitler came in second with 30.1% of the vote (the first went to Paul von Hindenburg - 49.6% of the vote). In 1932 Germany chose not only the head of state, but held elections to the Reichstag twice, within an interval of less than six months - June 4 and 6 November, . If the presidential election, Hitler took the second place, in the parliamentary polls the  Nazis did better; 37.8% of the votes (230 seats) in June. In November gains were not so significant - the Nazis got only 196 seats. But by the time the Germans were tired of endless elections. Be that as it may, under the constitution of the Weimar Republic, a government could be build by a party (or coalition of parties)  only if they had more than 50% of the votes in the Reichstag elections. . But in the same year  an important change was made to the Constitution. Now the Reich President (Head of State)  could freely appoint the chancellor (prime minister)  . Hindenburg appointed  Adolf Hitler Chancellor on January 30, 1933 . On March 13 of that year, Goebbels was made Minister of Public Enlightenment and Propaganda.
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WHAT OTHERS SAID ABOUT GOEBBELS

Ribbentrop: "I admired Goebbels who was the most intelligent of the whole [Nazi] circle. He was a genial, but nevertheless diabolical person."

Albert Speer: "[My first impression of Goebbels' speech-making was] much phrase-making, careful structure, and incisive formulations; a roaring crowd whom Goebbels whipped up to wilder and wilder frenzies of enthusiasm and hatred; a witches' cauldron of excitement. ... I felt repelled."


Albert Speer: "Both Goebbels and Hitler had understood how to unleash mash instincts at their meetings, how to play on the passions that underlay the veneer of ordinary respectable life. Practiced demagogues, they succeeded in fusing the assembled [people] into a homogeneous mob whose opinions they could mold as they pleased."


Alfred Krebs: "[Goebbels] spoke with enthusiasm about cultural and artistic matters [and] skirted around political matters."


John Keegan: "Like Hitler, he was also a passionate devotee of the cinema, but, while the Führer used the medium chiefly as a means of personal relaxation, Goebbels understood and seized on its power to sway the national imagination."


John Keegan: "Hitler ... lacked the [inclination] for anything more than the occasional sensational display of emotion, in particular the great set-piece speech which mesmerized the mob and left him drained of nervous energy. Goebbels, on the other hand, though a galvanic speaker in his own right, directed his overflowing energy into the day-by-day and minute-by-minute [communication]."


John Keegan: "Goebbels' [method] was anti-rational and emotive in every regard."


John Keegan: "Like Hitler, Goebbels believed in the primacy of the spoken word over the written word as an instrument of thought control."

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Goebbels  war propaganda 1941
Goebbels discusses war propaganda in 1941
And Goebbels immediately began to direct the "new order" of cultural life in Germany. Books imbued with "non-German spirit were removed from the library book, .The list of harmful books totaled 14,000 names and 141 German authors. On May 10, 1933, many of these books were burnt in huge bonfires. Goebbels while fighting for control of the press had to fight with Max Amann, who held the post of head of the Imperial Printing and Publishing Director of Central NSDAP "Eher Verlag". in the case of art Alfred Rosenberg tried to interfere. But Goebbels' powers were increasing - September 22, 1933  the Imperial House of Culture was created  to which  all the representatives of creative professions had to come  Two years later to the House of Culture was added the Imperial Senate culture (of course, also headed by Goebbels). May 14, 1934 all the theaters in Germany went under the control of Goebbels. Goebbels controlled the process of making movies from the stage of writing of the script. For the press releases he issued lengthy briefings  containing detailed instructions how to cover certain events in the life of Germany and beyond.

Goebbels used his position to know  the whole of Germany - he often started a romance with film and stage actresses. True, not everyone took his importunate courtship. For example, the famous actress and director Leni Riefenstahl did not return his affections. But the rift with the powerful minister of propaganda had no effect on her brilliant career - among her fans was the Fuhrer himself. It was he who instructed her in the making of the 1934 film about the Nuremberg Party Congress. The film "Victory of Faith", however, had to be put on a shelf - there were too many of Ernst Röhms, who was killed during the "Night of the Long Knives". But a year later, Riefenstahl shot a new film about the next Congress - "Triumph of the Will," acknowledged as a classic of world documentary.
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GOEBBELS ON JEWS

A Jew is for me an object of disgust. I feel like vomiting when I see one. Christ could not possibly have been a Jew. It is not necessary to prove that scientifically - it is a fact. 

 I am of the opinion that the greater the number of Jews liquidated, the more consolidated will the situation in Europe be after this war.
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 Goebbels Leni Riefenstahl
A taut and uneasy Goebbels with Leni Riefenstahl
In 1938, the Office of Goebbels started to prepare for the inevitable war. General Keitel and Goebbels entered into an agreement governing the conduct of propaganda in wartime. And in the same year, start making  propaganda for the troops . Goebbels formed a propaganda  company with a staff of  115 people. The Company consisted of photographers, artists, cameramen and reporters. All of them had passed military training. Welcome and the presence of military specialties - for people who knows the military equipment will not allow in his report annoying bugs. So, among the promoters were representatives of all the armed forces. 

That army of propagandists during the war made the famous newsreel Die Deutsche Wochenschau (German weekly review), which appeared in 1940. Prior to that in Germany there were as many as four newsreels - Ufa-Tonwoche, Deulig-Tonwoche, Fox Tönende Wochenschau and Emelka-Tonwoche, a legacy from the time of the Weimar Republic. They were then produced by different private film companies. Under Hitler they were brought under strict control of the German weekly news center at the Ministry of Public Enlightenment and Propaganda (Deutsche Wochenschauzentrale beim Reichsministerium für Volksaufklärung und Propaganda). And with the beginning of the war to facilitate the production of newsreels, instead of four only one newsreel was made of 45 minutes duration. It had a print run of 2,000 copies and it was mandatory to be exhibited before each film show. A thousand copies were printed for foreign visitors. The newsreel was translated into 15 European languages. 1,200 meters of film was required for one edition of the newsreel, but the creators of spectacular scenes selected the best shots from the tens of thousands of meters of film footage, shot by front-line news-photographers. This newsreel was the favorite brain child of Joseph Goebbels.

Meanwhile, to the official posts of Goebbels was added another. On November 16, 1942 he became the Imperial Commissioner for the defense of Berlin. The Battle of Berlin was still far away, but the intensity of the Allied air raids on the capital of the Third Reich was growing every day..The failed coup of 20 July 1944 contributed to the growing power of Goebbels.


Goebbels  Berlin Sports Palace  February 18, 1943
Goebbels calls for all out war at the Berlin Sports Palace on February 18, 1943



On February 18, 1943 in his famous speech at the Berlin Sports Palace he called for an all-out war. On July 25, 1944 he became the imperial commissioner for total war - he organized the Volkssturm units. The Third Reich began to throw to the front, old men and teenagers - its last reserve. Goebbels' office in every way created a terrible image of the enemy - the bloodthirsty savages from the East who robbed, raped and murdered. In 1943, Goebbels gave extensive instructions (in ten typed pages) to the press about how to cover the execution of Polish officers in the Katyn Forest. In October 1944, the Soviet forces held Nemmersdorf, a German town in East Prussia, for several days  On October 23 Germans recaptured this town and found 11 bodies of executed civilians. Through the efforts of Joseph Goebbels the incident was turned into a real massacre - the number of victims increased by 6 times. All the women in  Nemmersdorf were allegedly raped, murdered, and their mutilated bodies nailed to doors. The continuous hysteria in the press because of Goebbels cost the lives of thousands of German women and children. At the approach of Soviet troops many German women and girls were killed by their husbands and fathers. Many committed suicide.


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"If the day should ever come when we [the Nazis] must go, if some day we are compelled to leave the scene of history, we will slam the door so hard that the universe will shake and mankind will stand back in stupefaction..."
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Last image Goebbels March 9, 1945
Last image taken of Goebbels on March 9, 1945
On May 1, 1945 Joseph and Magda Goebbels poisoned with cyanide their six children. Goebbels shot his wife and killed himself.

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Great Russian Cartoonist BORIS YEFIMOV

WW2 Russian Cartoonist BORIS YEFIMOV

His cartoons covered a long stretch of history, but here we mainly stress on his cartoons during WW2.....We present his collection of cartoons called "Hitler and his Gang"

Efimov had an abundance of wit and was exceptionally well read, which gave his drawings a stinging conceptual punch. A telling example is a Efimov drawing from World War II described by Vladimir Mochalov, a fellow cartoonist and artistic director of the famous satirical magazine, Krokodil: “Boris Efi mov published a famous cartoon with the caption: ‘A True Aryan is Tall’, and he drew a small, scrawny Goebbels; ‘A True Aryan is Fit’, and he drew a fat Goering; and, ‘A True Aryan is Blond’, for which he drew Hitler with his black bangs. This was an absolutely timely, witty drawing, a classic political cartoon that you might call: aiming straight between the eyes.” In the bleak early years of the war, cartoons like this one played a critical role in maintaining morale. Efimov himself says about those cartoons, “I have an entire folder of letters from frontline soldiers who thanked me for those cartoons, who wrote me, ‘Draw their faces even funnier, because then it’s more fun to pull the trigger.’”
http://www.passportmagazine.ru/article/1565/

WHO WAS BORIS YEFIMOV (ALSO SPELT EFIMOV)?

“Fist.” An iron fist labeled NKVD (the secret police) squeezes a handful of midgets, among them Trotsky, Bukharin, and Rykov. The bodies of the victims end in a single tail that forms a swastika. Cartoon by Boris Efimov included in his memoirs.

Soviet political caricaturist and memoirist who was, for some time, the world's oldest living Jew. During his heyday, which lasted from the 1920s to the fall of the Soviet Union, Boris Efimov was an obedient satirist whose brilliant cartoons depicted Soviet policy on the pages of its major newspapers and magazines: Izvestiia, Pravda, and Krokodil. 

His career was interrupted for several years following the arrest in 1938 of his brother, the writer Mikhail Kol’tsov, who was shot as an enemy of the people in 1940. Efimov was devoted to his brother, trying to secure his release even after—unbeknownst to him—Kol’tsov had been killed. Either because he was valuable to Stalin or because of the peculiar randomness of the Soviet Terror, Efimov himself was spared and brought back to his former position, at first anonymously. 

He was the recipient of numerous Soviet medals and was named a member of the Academy of Arts. In addition to many collections of cartoons, he published four volumes of memoirs, beginning at age 70 and ending at 100. 

 Efimov was born in Kiev, where his father had an official document allowing him to engage in shoe repair. Soon after, however, the family left for Belostok (Białystok), where Efimov and his older brother began their schooling. Efimov did not go to art school. The instability of those revolutionary years put him first in Khar’kov (1917) and then, the next year, in Kiev. His first caricature, of the poet Aleksandr Blok, appeared in 1918, and his earliest political cartoon a year later. By 1922 he was in Moscow, where, helped by his brother's ties as well as his own formidable talent, he became associated with the Soviet Union's two major newspapers Pravda and Izvestiia, and the satirical magazines Krokodil (founded in 1922) and Chudak (1928–1930; Efimov began in its second year). 

 Efimov’s subjects were the evil-doing enemies of Soviet domestic and international policy. In terms of foreign policy, these were Wall Street capitalists and leaders of European governments, later including NATO. Western opponents were personified variously, and often wittily: the American capital churned out dollars, the Statue of Liberty was caged or in chains, the bourgeoisie of all Western countries were a combination of potbellied and malevolent.

ww2 Russian Cartoonist BORIS YEFIMOV battle moscow 1941
This is how Yefimov showed "The Invincible German Army" after it took a hiding in the Battle of Moscow in December 1941

Hitler and the Nazi leadership were unending targets throughout World War II, and also during the Nuremberg Trials. Efimov’s drawings from Nuremberg show the defendants' heads emerging from finely drawn bodies of insects and rodents. 

 At the time of the 1967 and 1973 wars, Efimov satirized Israel. His cartoons from the period personify Israel as a burly, gun-toting aggressor (see image). In some cartoons, the Star of David merges with a skull and crossbones (see image). But Efimov steered clear of the Jewish physical stereotypes and Nazi imagery associated with anti-Israel cartoons in the Soviet press, even though he often drew on Nazi symbolism in his caricatures of Western European leaders.

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"Kill The Germans" Exhorts ILYA EHRENBERG

Soviet writer and journalist Ilya Ehrenburg , July 24, 1942, at the height of summer during the German advance on the Don, published in the "Red Star" the infamous article "Kill the Germans." Adolf Hitler personally ordered the capture and hanging of Ehrenburg. Nazi propagandists gave Ehrenburg the nickname "Home Jew Stalin." 

Below is the article as published in the "Red Star".


"Here are excerpts from three letters found on dead Germans. Inspector Reinhardt wrote to Lieutenant Otto Schirach: "[...] I have found six Russians in the area. They last far longer than Frenchmen. Only one of them has died. [...] Their upkeep costs nothing and we must not tolerate that these animals, whose children are possibly killing our children right now, get to eat German bread. Yesterday I whipped lightly two Russian beasts who secretly drunk up skim milk meant for pigs [...]" A certain Otto Essmann wrote to Lieutenant Helmut Wiegand: "We now have some Russian prisoners of war. These fellows feed on worms by the airstrip and throw themselves at buckets of dirty water. I have seen them eating weeds. It is hard to believe that these are human beings..." Slavers - they would like to enslave our people. They take some Russians home, mistreat them, make them lose their wits by hunger, to the point that they eat grass and worms, and then a repulsive German with a stinking cigar can philosophise: "Are these perhaps human beings?" We know everything. We remember everything. We have understood: Germans are not human beings. Henceforth the word German means to us the most terrible curse. From now on the word German will trigger your rifle. We shall not speak any more. We shall not get excited. We shall kill. If you have not killed at least one German a day, you have wasted that day. If you think that instead of you, the man next to you will kill him, you have not understood the threat. If you do not kill the German, he will kill you. If you cannot kill your German with a bullet, kill him with your bayonet. If there is calm on your part of the front, if you are waiting for the fighting, kill a German before combat. If you leave a German alive, the German will hang a Russian and rape a Russian woman. If you kill one German, kill another - there is nothing more amusing for us than a heap of German corpses. Do not count days; do not count miles. Count only the number of Germans you have killed. Kill the German - this is your old mother's prayer. Kill the German - this is what your children beseech you to do. Kill the German - this is the cry of your Russian earth. Do not waver. Do not let up. Kill."

A little earlier, on 18 July 1942  the "Red Star" published a poem by Konstantin Simonov titled "Kill him", which possibly, inspired Ehrenburg to come up with his subsequent article. Here is the Simonov poem being recited by Mikhail Tsariov, a folk artist


The text of the Simonov poem......

If your house means a thing to you
Where you first dreamed your Russian dreams 
In your swinging cradle, afloat 
Beneath the log ceiling beams. 
If your house means a thing to you 
With its stove, corners, walls and floors
Worn smooth by the footsteps of three 
Generations of ancestors. 

If your small garden means a thing: 
With its May blooms and bees humming low,
With its table your grandfather built 
Neath the linden - a century ago.
If you don't want a German to tread 
The floor in your house and chance
To sit in your ancestors' place 
And destroy your yard's trees and plants

If your mother is dear to you 
And the breast that gave you suck 
Which hasn't had milk for years 
But is now where you put your cheek; 
If you cannot stand the thought 
Of a German's doing her harm. 
Beating her furrowed face 
With her braids wound round his arm. 
And those hands which carried you 
To your cradle washing instead 
A German's dirty clothes
Or making him his bed .

[If you haven't forgotten your father 
Who tossed you and teased your toes, 
Who was a good soldier, who vanished 
In the high Carpathian snows,
Who died for your motherland's fate, 
For each Don and each Volga wave, 
If you don't want him in his sleeping 
To turn over in his grave, 
When a German tears his soldier picture 
With crosses from its place 
And before your own mother's eyes 
Stamps hobnailed boots on his face.]

If you don't want to give away 
Her you walked with and didn't touch,
Her you didn't dare even to kiss 
For a long time - you loved her so much,
And the Germans cornering her 
And taking her alive by force, 
Crucifying her - three of them 
Naked, on the floor; with coarse 
Moans, hate, and blood, - 
Those dogs taking advantage of 
All you sacredly preserved 
With your strong, male love.

If you don't want to give away 
To a German with his black gun 
Your house, your mother, your wife 
All that's yours as a native son 
No: No one will save your land
If you don't save it from the worst.
No: No one will kill this foe, 
If you don't kill him first.

And until you have killed him, don't 
Talk about your love - and 
Call the house where you lived your home 
Or the land where you grew up your land.

If your brother killed a German, 
If your neighbor killed one too, 
It's your brother's and neighbor's vengeance, 
And it's no revenge for you.
You can't sit behind another 
Letting him fire your shot.
If your brother kills a German,
Hes a soldier; you are not.

So kill that German so he 
Will lie on the ground's backbone, 
So the funeral wailing will be 
In his house, not in your own.
He wanted it so It's his guilt 
Let his house burn up, and his life.
Let his woman become a widow; 
Don't let it be your wife. 
Don't let your mother tire from tears; 
Let the one who bore him bear the pain. 
Don't let it be yours, but his
Family who will wait in vain.

So kill at least one of them 
And as soon as you can. Still 
Each one you chance to see! 
Kill him! Kill him! Kill! 


The "Kill The Germans" campaign took many forms. It appeared on billboards and as posters.

Here is a poster in Leningrad in 1943 at the height of the siege









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German Anti-Partisan Posters During WW2

Soviet partisans proved to be big pain in the neck for the Germans in occupied territories during WW2. Hence the posters...

This posters warn Ukrainian mothers against partisans (see the skull head lurking in the back?)

 Same message. Partisans are blood-thirsty

 Stay with Taras Bulba and fight the partisans. Bulba was a Ukrainian nationalist in a novel by Gogol
 The message is that the Red Army and partisans are connected with the Jews.

 "Cast the Jewish hirelings into the abyss"

 The Stalinist gang - the enemy of every peaceful and honest man


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Quotes about war....

"War grows out of the desire of the individual to gain advantage at the expense of his fellow man."
--Napoleon Hill

"We have failed to grasp the fact that mankind is becoming a single unit, and that for a unit to fight against itself is suicide."
--Havelock Ellis

'Politics is war without bloodshed while war is politics with bloodshed."
--Mao Tse-Tung (1893 - 1976)

"I'm fed up to the ears with old men dreaming up wars for young men to die in."
--George McGovern

"The death of one man is a tragedy. The death of millions is a statistic."
--Joseph Stalin

It is forbidden to kill; therefore all murderers are punished unless they kill in large numbers and to the sound of trumpets.
--Voltaire, War

In war, truth is the first casualty.
-- Aeschylus

"The ability and inclination to use physical strength is no indication of bravery or tenacity to life. The greatest cowards are often the greatest bullies. Nothing is cheaper and more common than physical bravery."
--Clarence Darrow, Resist Not Evil

"The victor will never be asked if he told the truth."
--Adolf Hitler

"To walk through the ruined cities of Germany is to feel an actual doubt about the continuity of civilization."
--George Orwell

"Patriots always talk of dying for their country and never of killing for their country."
--Bertrand Russell

Men are at war with each other because each man is at war with himself.
--Francis Meehan

Snippets From History

German Soldiers in Russia: Part 1

Hubert Menzel was a major in the General Operations Department of the OKH (the Oberkommando des Heers, the German Army headquarters), and for him the idea of invading the Soviet Union in 1941 had the smack of cold, clear logic to it: 'We knew that in two years' time, that is by the end of 1942, beginning of 1943, the English would be ready, the Americans would be ready, the Russians would be ready too, and then we would have to deal with all three of them at the same time.... We had to try to remove the greatest threat from the East.... At the time it seemed possible.'
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Battle for Berlin, 1945

'We started to fire at the masses,' says one former German machine gunner. 'They weren't human beings for us. It was a wall of attacking beasts who were trying to kill us. You yourself were no longer human.'

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Berlin after it fell to the Russians, 1945

"Vladlen Anchishkin, a Soviet battery commander on the 1st Ukrainian Front, sums up the horror of the whole event, when he tells how he took personal revenge on German soldiers: 'I can admit it now, I was in such a state, I was in such a frenzy. I said, 'Bring them here for an interrogation' and I had a knife, and I cut him. I cut a lot of them. I thought, 'You wanted to kill me, now it's your turn.'
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Dramatic Pictures: Battle For Stalingrad
"...Effective command no longer possible... further defense senseless. Collapse inevitable. Army requests immediate permission to surrender in order to save lives of remaining troops."
General Paulus' radio message to Hitler on January 24, 1943

"...Capitulation is impossible. The 6th Army will do its historic duty at Stalingrad until the last man, the last bullet..."

Hitler's response to General Friedrich Paulus' request to withdraw from the city

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Points To Ponder....

The fall of France was shocking. It reduced France to virtually a non-player in the Second World War. The efforts of Charles de Gualle were more symbolic than material. But the martial instincts of the French must never be doubted. Under Napoleon they were a formidable military power. The French definitely have more iron in their blood then say, the Italians [I do not mean it in a derogatory sense. War never makes sense]

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Bias Of Western Historians

Soviet resistance made possible a successful Allied invasion of France, and ensured the final Allied victory over Germany.

It can hardly be called mere 'resistance'! If it hadn't been for the Russians, Hitler would have made mincemeat of British forces in Africa and landed on British shores in no time. Hitler attacked Russia first because it had more land and resources than Britain. It is as simple as that.

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Eastern Front: Bias Of Western Historians